世界文化英语阅读30篇（3）

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捷克木偶剧与城市广场欢笑

Every Saturday since 1880, Prague’s Spejbl and Hurvínek Theatre has performed behind a painted wooden curtain.
Czech puppeteers manipulate marionettes with strings attached to overhead rods, requiring years of wrist control training.
Audiences shout jokes back at puppets during scenes mocking bureaucracy, weather, or even unpopular mayors.
Wooden stages appear in Brno and Český Krumlov squares during spring festivals, drawing tourists and grandparents alike.
Each character wears folk costumes stitched with regional embroidery that tells silent stories of Bohemian villages.
Puppeteers often improvise political satire, making performances timely yet timeless through exaggerated gestures.
Families bring thermoses of hot fruit tea and share benches under chestnut trees while watching three-act comedies.
Students from Charles University intern with troupes to study how folklore evolves in democratic public spaces.
After shows, children try stringing simple figures while elders explain why Hurvínek always outwits authority figures.
These puppets don’t just entertain—they rehearse democracy through laughter, critique, and collective memory.