Historical Humanities Extension: Independent Reading (2026-D035)
历史人文延展阅读·独立成篇(2026-D035)
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At the 1925 Paris Exposition des Arts Décoratifs, Le Corbusier’s Pavillon de l’Esprit Nouveau rejected ornamental historicism in favor of modular concrete frames and rooftop gardens.
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Yet its interior featured handwoven rugs from Anatolia, lacquered cabinets inspired by Edo-period Japan, and brass fixtures modeled on Mughal astrolabes.
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